1854/80 Ducroquet/Cavaillé-Coll Organ

St. Sauveur Cathedral, Aix-en-Provence/Provence, France

(Classified historic monument: 18th century organ case and instrument)

Please click on the picture to start the photo gallery.

01-organ gallery 02-st. sauveur cathedral 03-cloister 04-cloister 05-nave with organ left side and dummy right side 06-colour glass windows 07-organ console details 08-left stop jamb 09-stop details 10-barker machine 11-tirasses and appels 12-windchest grand orgue 13-pedal extension wind chest

Short Introduction and History

The organ was built in 1854 by Alexandre Ducroquet, successor of the firm Daublaine et Callinet in Paris. Ducroquet built the new organ on the Gospel side in the genuine former chest, constructed by Isnard, the famous organ builder of St. Maximin . Cavaillé-Coll did tonal adaptions and restorations in 1880, added/replaced some stops.

The pedal compass was enlarged by Merklin 1915, who also replaced some stops. The restoration committee of 1972 had the difficult task to decide, to which organ they should go back, the original Ducroquet or Ducroquet-Cavaillé-Coll? They decided for the excellent 1880 Cavaillé-Coll state.

The big restoration and reconstruction by organ builder J. Dunand started in 1973. The inauguration concert took place on March, 19, 1975, performed by Marie-Madeleine DURUFLE and Maurice GAY. The last restoration took place in 2002. Titular organist has been Chantal de Zeeuw since 1979.

The Ducroquet-Cavaillé-Coll is a transitional romantic-symphonic instrument of very high quality and therefore was classified as a historical monument. Due to the Cromorne, the Sesquialtera and the brilliant Fourniture and Plein Jeu, which are normally not existing or have a darker colour within Cavaillé-Coll organs, one is able to play the complete (French) organ repertoire, beginning from late baroque up to modern pieces.

The church room has a rich wet acoustics with about 6,5 seconds of reverberation.

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Recording technique

The organ was recorded in February 2005 with 44.1 kHz, 16 bit, multi-channel for Hauptwerk 2, using the multi-release technique introduced by OrganArt. The stops were recorded with multiple release levels for short and long key attacks.


Special thanks are due to Titulaire Chantal Zeeuw for the warm welcome and support.
Last but not least, thanks to my wife, who assists all projects and is responsible for the photo documentation.